Dragon's Lair

I've gotten a chance to play the Dragon's Lair arcade game on my PC (finally in the last week or so).

I can't emphasize how ground-breaking this game was when it showed up in arcades back in 1983 (40 years ago as I write this). Up to that point, we'd only seen 8-bit sprite-based games with digital audio blips. Consider the top games from 1982 (per Wikipedia, "the peak year for the golden age of arcade video games") -- Dig Dug, Pole Position, Zaxxon, Q*bert, Time Pilot, etc. Rendered 3D games were about a decade away at that point.

And then all of a sudden the Dragon's Lair cabinet shows up with Laserdisc technology, and you're playing through a full-on Disney-quality animated movie by Don Bluth & co., experiencing booming professional voice acting, etc. My brain still hasn't recovered from what a leap it was.

For years I've tried to get a PC version working and never succeeded. I think I bought at least two CD versions and each time they were broken beyond usability. This past week I decided to do another search and, amazingly, managed to get a version that actually works. Plus the sequels: Dragon's Lair 2, Space Ace, etc.

So I'm playing through and actually learning how to play and decoding the terrifying puzzles for the first time. An amazing trip.

Here's a point: I'm finding that I don't like the sequels nearly so much. This is not remotely a nostalgia thing because, for budget reasons, I really never played any of them back in the day more than once or twice. So, why this preference?

It's because the later iterations made that classic misstep (to me) of inserting more story into the games. The first Dragon's Lair is essentially a picaresque: the action sequences come in basically a random order, and you never know what's coming next. Part of the play is keeping on your toes and identifying each scene quickly as it starts, so as to engage the right move series. This randomness keeps replayability high, and keep the focus tightly on the player skill in each puzzle as you learn and gain expertise with it.

But then each of the games afterward make the Hickman-esque movement of "this game would be better if it was more like a story you'd see in a book or movie". There are more narrative sequences of people talking when you don't have anything to interact with. More importantly, the sequence of scenes is always exactly the same for every play-through, because it needs to keep on a tightly railroaded plot. I find this has three effects: One, replays get boring faster because of the predictability. Two, it's more likely that you replay parts of the same scene back-to-back because the scene needs to get completed before you can continue. Three, when it mulligans you and just pushes you forward after a failure (death), I find that weirdly more jarring, because the Kenny-like death in the middle of the narrative story seems more lampshaded-incoherent.

This sense is of course consistent with my discomfort with the historical progression of inserting more "story" elements into games. For me, something is lost when the tilty-trap swings more in that direction away from the focus on technical player skill. My partner & I have always rolled our eyes at the narrative cut-scenes in real-time strategy games, as another example. But I think we're in the minority, as it's something I've been fairly well exhausted at debating with people over the years -- and probably more than one guest we've had on Wandering DMs has said things like "RPGs aren't about the gameplay, it's about the stories we make with our friends", which I guess I have to respect, but feel completely different about.